Christopher Nolan is not a very emotive filmmaker, and for this reason is often mistaken for cerebral, which he isn’t. Nolan is a dork aesthete par excellence. Self-serious, literalist, fussy with intercutting, fixated on exposition, his movies snake around protracted reveals and delayed twists. His latest, the nearly three-hour Interstellar, comes closer to mimicking the feel and structure of 20th-century hard sci-fi in the Arthur C. Clarke mode that just about any other movie. It is an episodic, chunky film of over-explicated ideas and speculative set pieces: a race against the clock on a severely time-dilated planet; a spacecraft trying to outrun a mile-high tidal wave; trips through worm holes; treks across a world covered by mountain-like formations of frozen cloud.

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Interstellar Cast & Crew:

Movie : Interstellar

Director : Christopher Nolan

Writers : Jonathan Nolan, Christoper Nolan

Stars: Matthew McConaughey, Anne Hathaway, Jessica Chastain

Run time : 169 min

Genre : Adventure/Sci-fi

Music : Hans Zimmer

Box Office:

Budget: $165,000,000 (estimated)

Rating: 4/5

Interstellar Movie Story Line :

Interstellar as an exciting cross between Encounters of the Third Kind  (1977) and Signs (2002): In a land on the brink of environmental collapse, small paranormal phenomena that appear to establish communication with shows who-knows-who on a possible solution to apocalypse. Obviously, this is only the starting point upon which Christopher Nolan just building a giant all levels -a new space odyssey -the echoes the (revolutionary) Stanley Kubrick classic dot the narrative again and again but it helps to understand the basic interests of the filmmaker: Interstellar is, obviously, a story Conradian about building adventure.

Clearly Nolan as Michael Haneke’s own James Cameron, you may ambition; wanting to do this more-great-than-life movie. Serve both as entertainment and as a superlative sublime portrayal of human relationships. A work that excites the imagination while it is also able to suffocate emotionally. A damn naive ground that criticism often punished especially hard: remember, without going any further, the (unjustified in my opinion) Steven Spielberg sticks to the ending of AI Artificial Intelligence (2001)or by their own work in the aforementioned Mission to Mars .

Anne Hathaway and Matthew McConaughey in Interstellar.

Roar Review, Rating : Click Here

Interstellar is a film to live, rather than to see. A visual delight that surpasses Avatar (2009) and the last trilogy of Star Wars (1999-2005) in its architecture anthropo-galactic , going to the hunt for that pearl-image that gives both response to what exists within a black hole as to trace the gesture-epiphany that puts on stage the immeasurable love that a parent feels for their children. Normal one can not resist the brutal aesthetic experience that is deep into those impossible worlds emerged from the imagination of Nolan (Christopher and Jonathan), and brothers should understand how logical that messianic ending that is not far from the path by Terrence Malick in The Tree of Life (2011) .

Inspired by the theory of relativity expert Kip Thorne Stepehen the existence of wormholes, and its role as a channel to carry out time travel. The story revolves around a group of intrepid explorers who venture through one of those holes and traveling through it, being in another dimension. An unknown world unfolds before them and will struggle to stay together if they want to come back in one piece.

The film has a star cast with names like Matthew McConaughey (“Sahara”), Anne Hathaway (“The Dark Knight. Rises”), Jessica Chastain (‘Darkest Night’) and Michael Caine (“The Dark Knight ‘), all under the command of Christopher Nolan.

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Bollywood  Movie Interstellar (2014) Review:

Start Interstellar as an exciting cross between Encounters of the Third Kind  (1977) and Signs (2002): In a land on the brink of environmental collapse, small paranormal phenomena that appear to establish communication with shows who-knows-who on a possible solution to apocalypse. Obviously, this is only the starting point upon which Christopher Nolan just building a giant all levels -a new space odyssey -the echoes the (revolutionary) Stanley Kubrick classic dot the narrative again and again but it helps to understand the basic interests of the filmmaker: Interstellar is, obviously, a story Conradian about building adventure.

An emotional journey, of course, with one foot in Arthur C.Clarke (the fantasy) and another in Stephen Hawking (most exciting), that to explain what being a father-the film has as leitmotiv emotional anguish astronaut father (Matthew McConaughey) to reunite with his daughter decides to erect all be a space where both epic delight for building fantasy worlds, electrical thriller result of confronting all sorts of cul-de-sac and, even the icy terror and soundproof when the context is devouring the story -which brings us back to Kubrick, but also to Brian DePalma of Mission to Mars (2000) and even James Cameron’s Abyss (1989).